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I wish to merely record how it was in rather bizarre circumstances that my path crossed with that of Edward Upward. The remarkable thing was that the day that I met him 1981 I had just the previous night finished reading the third volume of the dialectical triad 'The Spiral Ascent' so it was rather like finding oneself talking face to face with the main character from the book that you have just finished reading, which was a little surreal, I also met his wife Hilda who is of course a key figure in the novels, which does not try too hard to pretend that the characters are all fictional, it is clear that the three volumes, 'In the Thirties' 'The Rotten Elements' and 'No Home but the Struggle' were all pretty close to auto-biographical.
Anyway I was selling a quire of the Morning Star in Kings Heath high street in Birmingham with a girlfriend and comrade. I was approached by a well spoken elderly man in navy blue corduroy cap, who stood looking at me and said after a while...'I used to do that a lot'...fearing he was a'nutter' or at best a current opponent , I ignored him...He repeated the comment and added "my wife and I used to do that an awful lot you know"...convinced now that he was indeed 'a nutter' of some sort I asked him what he was on about and he started to chuckle..I then realised he was having a bit of sport with me..'selling the Daily Worker of course, you two remind me so much of us at that age'..Well a conversation commenced and I
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The last thing he asked me to do was to take down a message from him to be written into the memorial book on his behalf at the visitors book at the museum to the International Brigade in Spain, which I did. I was honoured to have met him, I am pleased that I will be able to continue to read his wonderful novels and short stories long after his passing...I am convinced that his stature as a writer will continue to grow long after his death, I also believe that much of the negative criticism of his literature was in fact a literary and critical form of political opposition to his chosen form of creativity, and of course a dismissal and a contemptuous dismissal at that, of any attempt to employ the socialist realist or written documentary form. A dismissal that was primarily political in its motivation, in reaction of course to the profoundly political issues raised by his writings and his aesthetic sensibilities themselves. Whilst he did indeed suffer from writers block, it is wrong to ascribe this to his embracing of Marxism. On the contrary in the conversations I had with him he was always clear that it had been his political commitment which had saved him from the powerlessness which could so easily, he knew, slump into depression.Upward related that, "in those days, even using the word 'capitalism' was enough to damn you, so not much was said. But I carried on my political work in the evenings selling the Daily Worker, and politics was my salvation. I was miserable and couldn't have borne the life of a teacher without it."
My memories of him are warm, he contributed something of value to my life, and I am grateful to him for that, he allowed me to understand some of my own feelings about the nature of political commitment, and how it can be redemptive, he was most interested when I told him that I was very struck by the phrase he created as the title of his third novel 'No Home But the Struggle' since I felt that it rang a chord with me, he knew exactly what Iwas driving at. I fear that so many of the literary critics will never really understand that sentiment either, since it is in fact alien to their own experience. I believe that he is home now. SALUD!